From class 8/13
Allow movement (folding) from the side indents of the breastbone (sternum) opening the back and release, open the sacrum. Both places balance one another. It is the line of the bai hui through the hui yin that is still when moving.
Note: Small movements work out stagnation. Large movements just carry them. Discern the grain of motion playing out. Don't interfere with how anything wants to play out. It may feel as if the line extends outside of the body. That's when the internal parts begin to play with the air.
Transfer - moves the load of the contact point from one area to another on your partner's body. Different contact point on your partner's body.
Exchange - moves the load from one part of your body (i.e. right forearm to left forearm). Same contact point on your partner's body.
While practicing the hip track, note that the receiving leg does nothing. It just fills. And the hip track is a track that stays on the same level. There's no bobbing up or down. The hip track shifts on a line as on a track. Leave the knees at the same height balancing one another. Use the kua paying respect to the balancing action of the knees.
From class 7/16 - 16 part Xing Yi Nei Gong
When the knees are bent, pay attention to the ankes and hip crease.
Adhere/Rest-in
Stick/Support
2 sides of the same coin.
2/9/11
Relax Faster and soften the front part of the groin and inguinal ligament to sink/fill the bottom of the pelvis.
A push is activated without lag in connection by releasing though the grain of motion.
In the Eight Brocades number 1, find space in the triple burners by following the grain of motion. When a bind is released in the body by finding that thread, the energy returns to it's natural path. It's something you can feel.
Muscular strength cannot overcome the fascial strength of 2500 pounds of structure.